Now I'm at a payphone Hell yeah, dirty bass Guetto girl, you drive cray Hell yeah, dirty bass Let's go Turn up the music cause this song just came on I'm talking here and now I'm talking here and now (Let's go) Turn up the music if they try to turn us down I'm talking here and now I'm talking here and now It's not about what you've done It's about what you doing Cross my heart and hope to die It's all about where you going No matter where you've been That I'll only stay with you one more night 'So making a mashup is like putting together this huge, huge puzzle - getting just all the best parts and putting them together in a way that the listener doesn't have to just endure through boring filler parts, but they can get just the best pieces of everything.I'm at a payphone The sun goes down The stars come out Can you blow my whistle baby, whistle baby Let me know Where have the times gone My universe will never be the same Can you blow my whistle baby, whistle baby Pop Danthology Here we goĪll I wanna do is love your body Ah, doh baby baby, doh baby baby (I had) Tonight is your lucky night, I know you want it Ah, doh baby baby, doh baby baby I had a way then losing it on my own I find it so stupid, so why should I hide Don't wake me up Yeah, I love to me love to you, baby Sorry for party rockin' Some nights I stay up cashing in my bad luck Some nights I call it a draw What doesn't kill you makes you stronger Stand a little taller Doesn't mean I'm lonely when I'm alone 'I can't stand music that progresses slowly, entertainment that progresses slowly,' he says. It takes a lot of time and planning to create something that emphasizes ephemerality, but for Kim, the rush is the point. The Pharrell Williams in Daft Punk's 'Get Lucky' croons while the Pharrell Williams in Robin Thicke's 'Blurred Lines' yelps ad libs.

Justin Timberlake's 'Suit and Tie' tumbles past on a modified dance beat. Miley gets her bass line tangled with Lorde. He tells NPR's Morning Edition that when he's making his mixes, he likes to hear the songs act out a call and response: Hooks and riffs fly by in a blur. Over the 5 1/2 minutes of this year's Pop Danthology, Kim chops up and reorganizes no less than 68 familiar hits into something that's both relentlessly new and nostalgic for the year that's ending. Each year since 2010, he has blended as many of the year's hits as he can into a single nonstop track. Daniel Kim, a Vancouver-based part-time composer and DJ (he also works in retail), likes to view the year in pop as a Vitamix would: in tiny pieces. At the end of the year, we all look back differently.